For the sake of your own joy, take any combination of painting tool and base. You are able. Paper/Color, Wall/Color, Floor/Color, Paper/Ink, Cardboard/Oil, Car/Foam, Glass/Tar and So on. Default Preferences – A0 format Brown / Black paper and White Color or A0 format White paper and any/multiple Colors.
Get On! Cover base with random movement. Try not to achieve esthetics too much, do not go for readable contents too much. Polarities of Vandal Action Painting are White Noise (no data) and distinct theme/motif as Text, Act, Stll Life, Landscape or Portrait. Go between those extremes, choose your convergence to one or other polarity to make abstract content, freely interpretable product.
Act unconditionally, impulsive, intuitive, preserve that you are not trying for any specific output. You can mind some reacon for painting you do, but try not to be careful to produce it, dont stick to it, if you will, spontaneously switch to another, As You Wish. Vandal Action Painting is comparable to Japanesse Caligraphics technique with absence of theme/motif and more fredom of movement, no intention for esthetics or desire to achieve specific goals.
You must create multiple objects of this like at One Go. Produce En Masse. At least 10 pieces. You can use same painting mindset for all of them, or make each different. Outcome will be multiple objects done in similar way, yet each unique. You will see which of them are done in most successful ways – when your movement had gained most of freedom and sleight of hand.
Apply Compound Formations / Merger Of Disciplines Function or nX Formation funcion to Vandal Action Painting product. You can arrange formations that switch phases to emerge motifs, themes. By manipulation of composition you can push Vandal Action Painting product to Higher Order from Chasos of non-content (lim>White Noise). Patterns Emerge in Formations that are not present in each unique piece. This practice is tend to Shift Phases and Open Transit Windows, craft which you can learn in previous chapters.
Get On! Cover base with random movement. Try not to achieve esthetics too much, do not go for readable contents too much. Polarities of Vandal Action Painting are White Noise (no data) and distinct theme/motif as Text, Act, Stll Life, Landscape or Portrait. Go between those extremes, choose your convergence to one or other polarity to make abstract content, freely interpretable product.
Act unconditionally, impulsive, intuitive, preserve that you are not trying for any specific output. You can mind some reacon for painting you do, but try not to be careful to produce it, dont stick to it, if you will, spontaneously switch to another, As You Wish. Vandal Action Painting is comparable to Japanesse Caligraphics technique with absence of theme/motif and more fredom of movement, no intention for esthetics or desire to achieve specific goals.
You must create multiple objects of this like at One Go. Produce En Masse. At least 10 pieces. You can use same painting mindset for all of them, or make each different. Outcome will be multiple objects done in similar way, yet each unique. You will see which of them are done in most successful ways – when your movement had gained most of freedom and sleight of hand.
Apply Compound Formations / Merger Of Disciplines Function or nX Formation funcion to Vandal Action Painting product. You can arrange formations that switch phases to emerge motifs, themes. By manipulation of composition you can push Vandal Action Painting product to Higher Order from Chasos of non-content (lim>White Noise). Patterns Emerge in Formations that are not present in each unique piece. This practice is tend to Shift Phases and Open Transit Windows, craft which you can learn in previous chapters.